Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb东方玉有些惊讶的看着老板娘，竟然答应自己一剑定胜负？为什么？只要拖下去，赢得应该是老板娘，或者说，老板娘的伤势其实比想象当中的要重？跟鸣海的战斗，对于老板娘而言也是重创？她也仅仅只剩下一击之力？
《狂野街头》由谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯 倾情出演.
豆瓣评分7.0 分，在美国火热首映播出。
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导演：Barry,Shear
演员：谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
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